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Download Pugin's Gothic Ornament: The Classic Sourcebook of by Augustus C. Pugin PDF

By Augustus C. Pugin

Augustus Charles PuginPugin's Gothic decoration: The vintage Sourcebook of ornamental Motifs with a hundred PlatesЭтот, ставший классическим альбом, составлен из первоисточников, в этом его непреходящая ценность. Книга включает в себя a hundred плат готических архитектурных орнаментов, с придирчивою тщательностью воспроизведенных с редких гравюр 19-ого столетия. Многие - цветочные и лиственные орнаменты, составленные из групп, капителей, границ, скобок, бордюров, гротесков и других декоративных элементов - взяты от таких архитектурных ориентиров эпохи Готики как Новая Часовня Колледжа в Оксфорде, Руанский Собор, Винчестерский Собор, Замок Kenilworth, Дворец Eltham и могила Графа Уорика. В альбоме представлена преимущественно английская Готика, что само по себе чрезвычайно интересно, так как этот аспект культурного слоя мировой архитектуры недостаточно освещён за пределами Британии.

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3), Velkenisse (fig. 4), Nieuwland (fig. 5), and Leiden. 9 The earlier Dordrecht and Leiden fragments are dated to the second half of the fourteenth century. 10 The Velkenisse, Mechelen, and Nieuwland fragments are dated to 1400, the first half of the fifteenth century, and 1450 respectively. The fragments were therefore produced over a span of about eighty years from 1370 to 1450. During this period, Dordrecht, Leiden, and Mechelen were particularly important political and economic centers in the Low Countries, one of the most heavily urbanized areas of Western Europe.

As Larry Clopper notes, although it is now often applied to medieval biblical plays, the use of pageant to refer to drama is a secondary meaning, derived from its initial use to designate something that was painted or ornamented. 21 In medieval dramatic records, the word can refer to the decorated mobile object that could function as a stage-set ("pageant wagon") or to a decorated object, such as a painted cloth, that could be carried in a procession. Thomas More used pageant, as A. S. G. 5), refers to "vi payentis iic.

Only a single extant medieval artifact, in addition to the Mechelen fragment, portrays a visual representation of this version. It is a carved wooden comb from the middle Rhein region dated to the first half of the fifteenth century, and thus contemporary to Der Minnen Loep and the later shoes.

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