By Monte Zucker
Grasp of portraiture Monte Zucker offers web page after web page of crucial photographic classes to allow photographers to accomplish and exceed their monetary and creative objectives. offering directions on tips to behavior a well-crafted buyer session, readers will study which angles of the face to picture, how one can pose the physique, the place to put the digicam, and the correct positioning of lighting fixtures apparatus so that it will domesticate an emotional reference to consumers to supply an incredible photograph. Chapters with professional suggestion on electronic imaging cleanup and completing concepts, garments and make-up choice, and site and studio backdrop ideas to enhance portrait options also are incorporated.
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Extra resources for Monte Zucker's Portrait Photography Handbook
He refused offers to swim for money THE HISTORY OF SURFING 55 FROM HONOLULU TO SYDNEY LEFT: Art Deco–era postcard set. RIGHT: Bing Crosby, canoe surfing with Waikiki beachboy Louis Hale in 1936. in order to retain his amateur status, so he could compete in the next Olympic Games. In late 1914, “running away from my problems,” as Kahanamoku told a friend—money worries, mostly—he sailed for Australia, where he could more or less trade swimming demonstrations for room and board. Surfing Comes to Australia It must have dawned on Kahanamoku, at some point during his three-month stay in Australia, that by dodging his own troubles he’d placed himself in the middle of a troubled nation.
But the sport was still pursued, especially in outlying areas less visited by missionaries, traders, and travelers. This impression is confirmed by a piece of mid-nineteenth century travel writing by Englishman Samuel S. Hill, who describes King Kamehameha III taking his surfboard and venturing out from the Western-influenced towns that had taken shape over the past few decades. ” Surfing was apparently still popular in small, outof-the-way villages. ” By any measure, the nineteenth century was a disaster for surfing.
But where Great Britain faced in on itself, toward London, Australia faced outward, to the coast. The endless red-dirt moonscape of Australia’s interior was described by early English settlers as the “ghastly blank”—aboriginals called it the Outback—and almost no one lived there. With just four million inhabitants in 1914, Australia was less populated than New York City, and apart from Adelaide and Perth, the country had developed almost entirely on a semitropical 450-mile coastal crescent between Sydney and Brisbane.