Home Photography • Download Digital FilmMaker (February 2015) PDF

Download Digital FilmMaker (February 2015) PDF

In factor 23; Keith Harding explains the myriad merits of utilizing equipment from BeyondHD, We get to listen to a few venture that makes a speciality of the Gypsy global, we discover out extra in regards to the Sundance movie pageant, Jamie Rae explains why utilizing a storyboard will rework your movie, Why procuring one of many new breed 4k cameras could be a nice inspiration, Anthony De Lioncourt talks Sci Fi and his motion picture The Protokon, plus usual gains and lots more and plenty extra.

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Extra resources for Digital FilmMaker (February 2015)

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Although, as we hinted at earlier, many people get a little intimidated by those large files that are invariably produced when shooting with 4K. So is this a format that is suitable for the less experienced filmmaking fan? “Yes, absolutely,” reckons Amy. “For our current 4K Handycam they’re coming in at 100Mbps, so they are rather large for consumers, but still very small compared to professional files, which are like six times the size of that. So, ultimately, it’s still going to be a file that’s going to be relatively easily edited by a computer, although Here at Digital FilmMaker we still get plenty of people dropping us a line to say they’ve been working on a project that was shot on a camcorder, so it’s clear to see that this is still a cost-effective way to enter the industry.

This is fact. Crafting a story with a cliché piñata and whacking at it with a stick doesn’t appeal to me, but the films that are made with passion and from a true place will always be timeless. They will always mean something to somebody. That is the essence of true independent filmmaking. This was my first feature film and I learned a great deal too. For example, the way I approach recording audio will be a lot different in the future. Also, I feel I can shoot my second feature in half the time it took to do this one.

A professional friend of mine said I should try out one of those Pro cards, so I shelled out a few hundred quid and then the thing wouldn’t work in my camera. Do you think it’s defective or do the high-end cards only work with high-end cameras? That said, I’ve got a Canon 5D, so why the issues? Carl Hallam, Dumfries SJV: None of the Canon 5Ds shoot 4K, so I presume you’re using something else for your 4K shoots. Secondly, I’m guessing by ‘Pro’ card you mean one with a high bit-rate. These are designed for use in cameras that need to lay-off data at very fast speeds in order to work.

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