By Shayne Rivers
Книга Conservation of furnishings Conservation of FurnitureКниги Строительство Автор: Shayne Rivers, Nick Umney Год издания: 2003 Формат: pdf Издат.:Butterworth-Heinemann Страниц: 840 Размер: 40,1 MB ISBN: 0750609583 Язык: Английский0 (голосов: zero) Оценка:This ebook is a finished source overlaying the foundations and perform of the conservation and recovery of furnishings, and different ornamental paintings items made absolutely or partially of wooden.
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Additional resources for Conservation of Furniture
11 Based on data from Banik, G. and Krist, G. (eds) (1986) Lösungsmittel in der Restaurierung, Verlag der Apfel, p. 101 as reproduced in Tímár-Balázsy, A. and Eastop, D. 14 Based on data from Horie, V. (1992) Materials for Conservation, ButterworthHeinemann, App. 3, p. 20 Based on Moncrieff, A. and Weaver, G. (1992) Science for Conservators, Vol. 2: Cleaning, Routledge, Fig. 7, p. 6 Julie Arslano˘glu based on (1) Thomson, G. (1988) The Museum Environment, Butterworth-Heinemann, Fig. 59; (2) Mayer, R.
Strap hinges were used so that the strap round a chest combined to make a hinge in one piece. On cupboard doors, butterfly hinges were common until the fifteenth century when they were elongated to form a decorative strap. Metals were occasionally used for more than just fittings and examples of iron furniture are known. Very rarely, silver, gold, pewter and ivory were used to decorate important pieces. Tools and techniques Perhaps one of the most important changes in furniture-making in this period was that from nailed and pegged board construction, to framed-up construction.
In the seventeenth century, ‘tortoiseshell’ (actually turtleshell) was widely used both in Italy and the Low Countries. As it was malleable when heated, it could be used as a veneer. Laid in conjunction with metals such as brass and pewter on coloured grounds, it represented a high point in marquetry work. This process is usually associated with AndréCharles Boulle (see below). Trade practice, tools and techniques The qualities of furniture-making still depended on the skill of the joiner, who began Furniture history 17 to use the continental dovetailing methods of joining boards which foreign craftsmen had introduced into England.