By Kevin L. Moss
* provided via Canon, Nikon, Minolta, Sony, and different top digicam brands, the digital camera uncooked structure shall we photographers create high-resolution "digital negatives"-uncompressed, unprocessed pictures that they could then deal with and convert utilizing Photoshop
* Cameras that includes digital camera uncooked functions at the moment are priced as little as $300
* This booklet explains what digicam uncooked is, why critical novice photographers want it, and the way to utilize it utilizing Photoshop's robust digicam uncooked plug-in
* subject matters lined contain comparing and dealing with digicam uncooked photographs, harnessing Photoshop digicam uncooked instruments, utilizing metadata, figuring out colour, and correcting pictures
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Additional info for Camera Raw with Photoshop For Dummies
7. Click OK to save your color settings. In the next section, I show you how to ensure that your color settings are properly applied to your workflow. 49 50 Part I: Getting Your Feet Wet Assigning color profiles The final step to ensuring a proper color workflow is to make sure that the images you open in Photoshop contain the correct color profile you’ve set up in the Color Settings dialog box (see the steps in the preceding section). When you open an image that doesn’t match that default color space, you’re prompted with the Embedded Profile Mismatch dialog box shown in Figure 3-6.
That’s good advice and should always be suggested as a goal — but in the real world, sometimes a perfect exposure just doesn’t happen. Even the best photographers shoot photos that need some exposure adjustment in software. If I’m shooting in JPEG or TIFF format and I need to adjust exposure after the fact, I have to use Photoshop CS2 Exposure adjustment to do the job — and although this feature is a welcome addition for JPEGs, it can still degrade image quality. Shooting in raw format means you don’t have to settle for the exposure you get with the shot; you can fix under- or overexposed photos in Camera Raw, using its Exposure adjustment.
Chapter 3: Applying Color Management ߜ sRGB: This color space is designed for displaying photos on computer monitors, such as Web graphics and Web photos. ߜ Colormatch RGB: This color space is designed for a color gamut between sRGB and Adobe RGB (1998). Use for images with multiple purposes and output. Adobe RGB (1998) sRGB Colormatch RGB Figure 3-2: Different color spaces affect how color is rendered in an image. As part of your overall color-management workflow, I recommend always editing your photographs in the Adobe RGB (1998) color space and saving that image as a master file.