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Additional info for Art Actuel, n°80 (mai à juin 2012)
However irr everent, thi s can't be separated from the ant i-war photograph of a young demonstrator confronti ng the Military Police during 1967 Vietnam protests by inserting a flower into th e barrel of his gun. The original image, now on mu seum walls and in coffee-t able books, has arguably lost its crit ical power. What the gun vase might do is reinvigorate some of the issues the gun/ flower image raises, but in a personal context. In contr ast to the more did actic dialogues of, say, a political poster that simplifies t hings to right and wrong, Suck UK's de sign leaves th e emphasis on th e individual's inte rpretatio n.
In response to the original artulc. J 'icky has observed: 'Art ha: a tradition of avantgardism (the poliuc: of which is u ually mcon equential] - It I. it. iu onal stance which i mo. t Important . A tradition, which I le.. ea: il) definable In a \\ IJ r de ign raft / applied-an come: t... Oppo it ion, from this per pective, i. " When product design mirrors the violent world, it is held to account - although u ually by other ! - for the contradictions encoded In it own ituation . That is, how it 0 ciliates bet ween the pull of th global market and the way It is con.
What and the political; the political po ter has ri en from the ashes and holds currency once again. The rno t visible example is perhaps the Starter er