By Iain McCalman
For the 1st time, this cutting edge reference booklet surveys the Romantic Age via all facets of British tradition, instead of in literary or creative phrases on my own. This multi-disciplinary technique treats Romanticism either in aesthetic terms-its which means for portray, track, layout, structure, and literature-and as a old epoch of "revolutionary" modifications which ushered in glossy democratic and industrialized society.
McCalman (Australian nationwide Univ.) has assembled a global crew of specialists, from fields as diversified as political background, pop culture, literature, faith, and drugs, so that it will create a vast reference paintings at the Romantic age in Britain. the 1st a part of the publication includes thematic essays grouped into 4 diverse sections. Eschewing facile generalizations in regards to the Romantic period, the authors didn't search to strengthen a unmarried unified topic; fairly, they sought to regard subject matters below broader headings comparable to "Transforming Polity and Nation" and "Culture, intake, and the Arts." by way of focusing the essays during this model, McCalman simply manages to take care of an inner coherence between themes. The essays themselves are of top of the range and replicate the newest scholarship. the second one a part of the publication includes alphabetical entries of occasions, personalities, strategies, and tendencies in a couple of topics. Of specific curiosity are references to the folks and associations that make up the "radical" non secular and political activities of the period, akin to Thomas Spence, Joseph Brothers, and Joanna Southcott, and some of the societies they joined or encouraged. geared toward a large viewers, this e-book is a beneficial reference software. urged for all public and educational libraries.
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Extra info for An Oxford Companion to The Romantic Age: British Culture 1776-1832
This was only the beginning of a massive military effort in which militia and volunteers gave Scots the satisfaction of providing for their own defence as well as offering their contribution to the defence of the southern kingdom. They 2 · War 33 could also point to the Scottish regiments in the army, whose identity by the end of the war was protected. The cult of the Highland soldier was one product of this heightened sense of national identity; regimental history as a genre originated in Scotland with Colonel David Stewart’s (1772–1829) Sketches of .
In Britain the Enlightenment view of war as the trivial and increasingly anachronistic pursuit of rulers was articulated by Thomas *Paine in Rights of Man (1791). He blamed war on monarchical governments encouraged by equally self-interested, parasitical aristocracies who were concerned only for power and reputation. On the other hand, claimed Paine, a democratic future would also be a warless future. Only establish representative governments and the real interests of populations would be asserted against the unnecessary waste and misery of war.
Social reform and a reduction in taxation were often seen as the inevitable consequences of political reform, but it was the latter which served to unite local discontents into a national movement. As in the 1790s it remains a matter of debate how far revolutionary and insurrectionary ambitions had spread among the people, inﬂuenced by Spenceans and ultra-radicals, but there is no doubt that in so far as there was a national movement between 1817 and 1820 it was one united under a political leadership, notably Henry Hunt and John *Cartwright, and with a political press, notably William *Cobbett, T.